TINA ROSENBERG, the winner of a MacArthur grant, is a contributing writer for the New York Times Magazine, a former member of the Times editorial board, and writes the online column Fixes for nytimes.com. Her book The Haunted Land on how Eastern Europe faced the crimes of Communism, won the Pulitzer Prize and the National Book Award. Her latest book is JOIN THE CLUB: How Peer Pressure Can Transform The World
JANINE BENYUS is a natural sciences writer, innovation consultant, and author of six books, including Biomimicry: Innovation Inspired by Nature. Since the book's 1997 release, Janine has evolved the practice of biomimicry, consulting with sustainable business, academic, and government leaders. Janine has co-founded the Biomimicry Guild, the Biomimicry Institute, and the web portal http://www.asknature.org/ to further this work. Her next book will be Nature's Code.
JONATHAN SCHELL was a writer and editor at the New Yorker between 1967 and 1988. A recipient of a MacArthur Foundation grant for writing on Peace and Security, Schell now teaches at Wesleyan University and the New School and is the Harold Willens Peace Fellow at The Nation Institute. He is the author of several books, including The Fate of the Earth; The Gift of TIme: The Case for Abolishing Nuclear Weapons Now; and A Hole in the World.
Also MARC IAN BARASCH, Author
My transition seems mild compared with that of today's guest, TOM SHADYAC. A onetime actor/comedian and the youngest writer to work for Bob Hope, Shadyac achieved huge Hollyood success -- writing, directing, and producing hits like ACE VENTURA, LIAR, LIAR, THE NUTTY PROFESSOR, and BRUCE ALMIGHTY, earning four People's Choice awards and a ton of money.
His new documentary, I AM recounts what happened after a cycling accident left him incapacitated for months. Though he recovered, the possibility that he might never be able to work or create again had changed him. He sold his estate, moved to a mobile home community (in Malibu), and set out to make a very different kind of movie.
With a four-person crew, Shadyac documented his journey to find answers to two questions. What's wrong with humans? What can we do to fix it?
Shadyac questions scientists, scholars, activists, poets -- David Suzuki, Noam Chomsky, Howard Zinn, Archbishop Desmond Tutu, Lynne McTaggart, Ray Anderson -- and Marc Ian Barasch, who joins the conversation in progress.
MARC IAN BARASCH is a writer, editor, television producer and environmental activist. In his book, The Compassionate Life: Walking the Path of Kindness, Barasch asks, "What if the great driving force of our evolution were actually "survival of the kindest?"
Are humans basically kind or basically cutthroat? Is compassion our birthright, or a hard won creation of culture? What exactly is compassion - that x-factor that every faith (or its founders, at least) exalts as a supreme virtue?
All proceeds derived from the release of I AM, in all media, will go to THE FOUNDATION FOR I AM, a not-for-profit established by Shadyac to fund various causes and to educate the next generation about the very issues and problems explored in the film.
PHILLIPE DIAZ is writer director of a new documentary THE END OF POVERTY that exposes the roots of the south’s poverty first in colonialism and then in the policies of the World Bank, IMF and the WTO.
The film features: Nobel prize winners in economics Amartya Sen and Joseph Stiglitz; expert authors Susan George, Eric Toussaint, John Perkins, Chalmers Johnson, government ministers such as Bolivia’s Vice President Alvaro Garcia Linera, and leaders of social movements in Bolivia, Brazil, Venezuela, Kenya and Tanzania.
THE END OF POVERTY’s opening line by narrator Martin Sheen: “Why, in a world of so much wealth, do we still have so much poverty, where billions of people live on less than one dollar a day?” According to writer-director PHILLIPE DIAZ, the ultimate goal of the film is to change the dialogue around the poverty debate from "poverty is a shame," to "poverty exists for a reason."
Born in Paris France, PHILIPPE DIAZ studied Philosophy at the Sorbonne in Paris, and began his film career as a director in 1980. He produced a number of features both in France and the US, and in 2003, with a consortium of partners he created Cinema Libre Studio, to provide an alternative structure for intelligent, independent films. His directorial debut, THE EMPIRE IN AFRICA won the Grand Jury Award for Best Documentary Feature at Slamdance 2006.
According to Diaz, “The end of greed on Wall Street will not end poverty in the world. The problem is much deeper than that; it is centuries old. Our economic system since colonial times requires cheap labor and cheap resources from the global South to succeed and to finance our lifestyle in the North. Without changing that we will never alleviate poverty.“